Interview! Author, Anthologist & Judge, Silvia Moreno-Garcia
This is it – the last week to submit to the Friends of the Merril Short Story Contest! Submissions close at midnight on December 20th, 2015 – so get your entries in!
Today we bring you an interview with one of our judges, Silvia Moreno-Garcia!
You have edited a number of anthologies for Innsmouth Free Press and Exile Editions, ultimately publishing stories that were solicited as well as chosen from open submission periods. Can you tell us a little about how those processes differ?
Open submissions are like panning for gold. You are reading a large set of stories, 200 to 400 in my case, and seeing if there’s anything that catches your attention. Solicited stories are much more of a sure thing. You know you are going to probably get some high quality stuff that is on mark, you just don’t know if it’ll be what you ultimately need.
How do you decide who to solicit for stories? What do you look for in a writer before approaching them?
I look for people I would like to work with, whose writing I admire. Some are folks I regularly work with (Molly Tanzer, E. Catherine Tobler) and others are writers I have never worked with but who I hope to publish one day. For example I had published a Gemma Files reprint in an anthology before so I asked her if she would contribute an original piece for She Walks in Shadows, both because I thought she might have an interesting point of view and because I hadn’t had a chance to buy an original Lovecraft story from her. I read a lot of short fiction and when I find a story I like I tend to drop the person’s name into a folder so if an opportunity ever comes up, I’ll contact them. That’s why you should have a website with a clear way to get a hold of you, writers.
She Walks in Shadows is a gorgeous book with some stellar contributors. Is the final product what you imagined when you set out to put the anthology together? Did it surprise you in any way?
Going in I never know what an anthology will look like. I have some preconceived notions but because I’ve done open submissions periods for everything I’ve bought I have had a more amorphous view of the final product. I think I was, maybe surprised is not the right weird, but there is a strand of concerns about the body and identity running through the anthology which I did not expect. At one point I wondered if it was too-heavy handed, but it’s something that just kept popping up in the stories. For better or worse this seems to be a concern of women, at least the women writers who submitted to us, so I let it bloom in the book rather than trying to cull it. You get these weird little tics in anthologies, things that bubble up and tie it all together, and that’s one of the things which ties the book together in a subtler way.
Are there any plans for future anthologies in your or Innsmouth Free Press’s futures? Tell us about your dream project!
Nothing with fiction. We are going to publish a book of non-fiction by Orrin Grey, but we are still working out the details for that. It’ll be related to movies. I’m not in a hurry to edit anything in the next few years. My novel writing career has taken off. My debut Signal to Noise came out this year and did well critically and I sold another novel to Thomas Dunne, which will be out next year. So I’ve been revising that second book and just sent in my final version. It’ll be called Certain Dark Things and is about a garbage picker in Mexico City who meets some narco vampires. Oh, and Lavie Tidhar and I are putting together this avant garde zine project. We’ve roped some interesting writers and artists into it.
Thank you, Silvia! Everybody who submits to the Friends of the Merril Short Story Contest will receive a free e-book of She Walks In Shadows as well as the chance to have Ms. Moreno-Garcia read your work – so get those stories in!
Mexican by birth, Canadian by inclination. Silvia Moreno-Garcia’s debut novel, Signal to Noise, about music, magic and Mexico City, was released in 2015 by Solaris. The Guardian said it is “a magical first novel,” Locus called it “one of the most important fantasy debuts of the year” and Kirkus described it as a “rich, elaborate symphony of awesome that defies simple definitions.” Silvia’s first collection, This Strange Way of Dying, was a finalist for The Sunburst Award for Excellence in Canadian Literature of the Fantastic. Her stories have also been collected in Love & Other Poisons.